Below is a list of productions that I have been involved with. Click on the titles to learn more about a specific production.
(click on title to see more info and pictures)
MR TOOLE – July 2016, with Lagniappe Productions, written by Vivian Neuwirth, at the Midtown International Theatre Festival. The teacher a student will never forget becomes a legend the world will never forget: John Kennedy Toole.
THE SKIN OF OUR TEETH – March 2015, with Articulate Theatre Company, written by Thornton Wilder. Thornton Wilder’s classic reminds us that humanity has overcome troubles in the past and will inevitably do so again. Sure, we may lose a pet dinosaur here and there, but somehow we always get by the skin of our teeth…
DRAGON – June 2013, with Articulate Theatre Company at the Planet Connections Theatre Festival, written by Jenny Connell Davis. Was honored with 9 nominations and awarded 2 wins plus the ‘Greener Planet’ award for our eco-friendly set design.
CONNECT 4 – February 2013, with NylonFusion Theatre Company, written by Brett Epstein.
A BIGGER FIRE – February 2013, with NY Madness, written by Cecelia Copeland.
PARTS OF PARTS AND STITCHES – March 2012, with Maieutic Theatre Works (now called Manhattan Theatre Works), written by Riti Sachdeva. A play about love, honor, and the vultures within and without – set during the partition of India.
THE REAL INSPECTOR HOUND – September 2010, with 4th Wall Theatre, written by Tom Stoppard. The classic send-up of the “who done it” genre, this play lets you see into the world of theatre critics, and then see those critics sucked into another world altogether.
ROSENCRANTZ AND GUILDENSTERN ARE DEAD – October 2009, with T. Schreiber Studio, written by Tom Stoppard. The familiar tale of the Danish prince, Hamlet, as experienced by the hapless characters, Rosencrantz and Guildenstern.
TWELFTH NIGHT – November 2008, with T. Schreiber Studio, written by William Shakespeare. A Steampunk inspired tale of disguises, unrequited love, missed opportunities and silly pranks that turn very serious indeed.
SISTER CITIES – October 2007, with T. Schreiber Studio, written by Colette Freedman. Four sisters, four different fathers, one dead mother, lots of vodka. The death of their mother brings four sisters together, but shared revelations may just drive them further apart than ever.
PICASSO AT THE LAPIN AGILE – April 2007, with T. Schreiber Studio, written by Steve Martin. Einstein and Picasso meet in a bar in Paris. The humorous battle between science and art may just cause you to laugh yourself into a beautiful realization.
NOISES OFF – July 2006, with Angelo Civic Theatre, written by Michael Frayn. What happens on the other side of the theatrical curtain? Well, let’s just say that it’s often more entertaining than what happen’s in front!
THE CHEKHOV DREAMS – May 2005, with Renegade Productions, written by John McKinney. What could be worse than being haunted by your dead girlfriend? How about when Anton Chekhov jumps in to show you how to write!
SOTTOPASSAGGIO (Underpass) – May 2004, with WorkShop Theater Company, lyrics & music written by Alexandra Devin. 5 homeless people who live under an underpass in Italy.
LAUGHTER ON THE 23rd FLOOR – April 2004, Oklahoma City Rep, written by Neil Simon. A semi-fictionalized account of Neil Simon’s time as a staff writer on Sid Caesar’s fabled television series Your Show of Shows.
THE PLOT – January 2004, with Creative Place Theatre, written by William LoCasto. New York City – 1958. Two playwrights. One Producer. His Wife. A Journalist. A Director. And a dog named Poopsie.
APPOINTMENT WITH DEATH – July 2003, with Dorset Theatre Festival, written by Agatha Christie. An assorted group of travelers are staying at a Jerusalem hotel: When one is found dead, all the rest become suspects. Just when the tension becomes unbearable, a doctor discovers essential evidence about the victim’s devilish plan to possess and torment the children in death as in life.
TOWARDS ZERO – July 2002, with Dorset Theatre Festival, written by Agatha Christie. A Cornwall estate filled with wealthy, high-maintenance guests – it’s Agatha Christie, so you know there’s a murder!
LOVERS OF VERONA – Fall 2002, with Texas Tech University, written by Josh Blanchard. A new commedia dell’arte play centered around a world filled with lust, greed, and ever-shifting passions. Will this young couple (and their servants) be able to find true love?
A DOLL’S HOUSE – Spring 2002, with Texas Tech University, written by Henrick Ibsen, adapted by Frank McGuinness. A play about identity, trust, and life outside of the comfortable confinement of a gilded cage.
ECHOES OF RADIOLAND – January 2001, Texas Tech University, written by Keith West. An original radio play produced as visual theatre. A sneak peek behind the microphone of radio theatre, where the drama continues even when the mics are turned off!
RIDERS OF THE GOLDEN SPHINX – 2001, with Texas Tech University, written by Norman Bert. A musical that tells the time-honored, predictable story of a rancher who is abducted by alien body-snatchers, thus forcing his son to lay aside his study of classical mythology to save the ranch, in spite of masked marauders, villainous morticians, and his aunt Jocasta, Professional Woman.
EN PASSANT – April 2000, with Texas Tech University, written by Ryan Palmer.
QUILTERS – November 1998, with Angelo Civic Theatre, written by Patricia Cooper and Norma Bradley Buferd. Six pioneer women face frontier life in this musical which is presented as a series of short tales and tableaux matched with musical numbers and quilt blocks. The blocks are ultimately put together to form one dramatic tableau.
CHAPTER TWO – with Why Don’t We… Productions, written by Neil Simon. Recent widower, George, is encouraged to start dating again. After a series of bad matches, a friend comes up with Jennie Malone and she’s a keeper. Still, it’s a bumpy trip on the road to Dreamland for these not-so-young lovers.
COMFORT AND WELFARE ON INTERSTATE 10 – April 1997, with Why Don’t We… Productions, written by Raymond Carver.
SAME TIME, NEXT YEAR – , with Why Don’t We… Productions, written by Bernard Slade. Doris and George, married to others, rendezvous once a year. Twenty-five years of manners and morals are hilariously and touchingly played out by the lovers.
